Download Mr.
Brent's Full Resume
“Joseph Michael Brent, sang Mayor Upfold with a
penetrating sound
and remarkably projected diction (the best of the entire cast).”
David Shengold, Opera News
Joseph Michael Brent is a member of the
Michigan Opera Theatre Studio. His roles in Michigan Opera
Theatre’s 2016/17 season include Laurie in Mark Adamo’s Little
Women, the Kronprinz in Kevin Puts’s Silent Night, Trin
in Puccini’s La Fanciulla del West, and El Remendado in
Bizet’s Carmen.
Mr. Brent joined the Michigan Opera Theatre (MOT) Studio in 2015, as
a member of the inaugural resident artist quintet. He made his debut
with MOT that season as the 3rd SS Officer in Weinberg’s
The Passenger; he sang Martin in The Tender Land,
Malcolm in Macbeth, and first armored man in Mozart’s The
Magic Flute.
In the 2015/16 season, Mr. Brent made several
important role debuts. He made both role and company debuts as Mayor
Upfold in the Bronx Opera’s production of Albert Herring,
Edgardo in the New York Opera Exchange production of Lucia di
Lamermoor, and Pinkerton in Madame Butterfly at the
Quisisana Resort. Of his Edgardo Lei, a co-authors of the Allegri
con Fuoco blog, said “Tenor Joseph Michael Brent made me weep too,
his sound is beautiful, round and tender but also agile and
powerful. Brent is truly a romantic hero, with a handsome stage
presence and an expressiveness to match.”
Mr. Brent is a sought-after concert soloist and
recitalist. He most recently performed Ralph Vaughn William’s song
cycle for tenor and piano quintet On Wenlock Edge, at
Detroit’s Scarab Club. Last season Mr. Brent was selected by Empire
Opera and composer Michael Fiacc to premiere four of Mr. Fiacc’s
songs for tenor and piano. Other performances of note include tenor
soloist in Beethoven’s Symphony no. 9 (Greater Anderson Musical Arts
Consortium), Mozart’s Requiem (Orchestral Nepal), Handel’s
Messiah (Archdiocesan Cathedral of the Holy Trinity), Schubert
Mass in B-flat, D. 234 (with members of the Detroit Symphony
Orchestra).
Other recent performances include concerted
arias with the orchestra of the American Institute of Musical
Studies in Graz, Austria; as well as company debuts with Pittsburgh
Opera Theatre (Camille in The Merry Widow), Capitol City
Opera in Atlanta (Camille in The Merry Widow), the Martina
Arroyo Prelude to Performance Program (E.T.A. Hoffmann in Les
Contes d’Hoffmann), and La Musica Lirica (Rodolfo in La
Bohème).
He earned his Doctor of Musical Arts degree from the University of
Georgia in the fall of 2014 with a dissertation on selected vocal
works of Giovanni Paolo Bottesini. During his tenure as a student at
the University of Georgia Mr. Brent sang all of the lead tenor roles
between the spring of 2010 and 2014, including Rodlofo (La Bohème),
E.T.A. Hoffmann (Les Contes d’Hoffmann), Tamino (Die
Zauberflöte), Nemorino (L’elisir d’amore), Don Jose (Carmen),
Frederick (Pirates of Penzance), Ralph Rackstraw (H.M.S.
Pinafore). He is a native New Yorker, a proud graduate of the
Frank Sinatra School of the Arts, holds an undergraduate degree from
the conservatory of music at Purchase College S.U.N.Y. He was a
student of Metropolitan Opera veteran, baritone, Frederick Burchinal.
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